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and the twist, late in the film, when this situation becomes reversed.

Fox and His Friends is not a masterpiece, but it is essential viewing in the Fassbinder cannon, for the way he goes about telling this story, how he avoids making it *about* gay people (just as he avoided making it simply about race in Fear Eats the Soul), and he himself proves himself a very good actor here in his own right.

Hans Epp is a self-destructive man who lives a dissatisfied life.

He tries to find meaning as a fruit vendor, but a heart attack impedes his ability to work, which turns his dissatisfaction into despair.

And yet at the same time Fox is, as well as the way Fassbinder brilliantly plays him, a good person at heart, not meaning to really hurt anyone, but just f***ing up a lot of the time, like when he puts through 40,000 pamphlets the wrong way through a copy machine at his work.

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